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Andrew Kalaidjian received his Ph.D. in English from the University of California, Santa Barbara. His research and teaching interests include: 20th and 21st century British and Global Anglophone literature, environmental history, spectacle and technology. He is the author of Exhausted Ecologies: Modernism and Environmental Recovery published in 2020 by Cambridge University Press. His writing has appeared in Modernist Cultures, Journal of Modern Literature, Angelaki: Journal of the Theoretical Humanities, Creatural Fictions, and the Los Angeles Review of Books.
“The Spectacular Anthropocene.” Angelaki 21.4 (Fall 2017): 19–34.
“The Black Sheep: Djuna Barnes’s Dark Pastoral.” Creatural Fictions: Literary Engagements with Species Difference. Ed. David Herman. New York: Palgrave Macmillan, 2016.
“Synge and Synge: Science and Irish Modernism.” Modernist Cultures 10.2 (July 2015): 178– 200.
“Positive Inertia: D. H. Lawrence and the Aesthetics of Generation.” Journal of Modern Literature 38.1 (Fall 2014): 38–55.
“The Hardest Task: Reconsidering Lawrence’s Rhythmic Work Ethic.” The D.H. Lawrence Society of North America. MLA Convention. Chicago, IL, Jan 4–9. 2019.
“Europe’s Witchy Future.” The International Robert Graves Conference. Palma, Mallorca, July 10–14, 2018.
“England, England and the Astonishing Anglocene.” Modernist Studies Association Annual Conference. Amsterdam, August 10–13, 2017.
“neither water nor earth: The Yellow Pine in As I Lay Dying.” The Faulkner Society panel on Posthuman Possibilities, 2016 MLA Convention, Austin, TX, Jan 7–10, 2016.